Jack Mapanje was imprisoned without trial or charge by Malawi's dictator Hastings Banda for nearly four years, chronicling his prison experiences with dogged wit in his previous books. In Greetings from Grandpa - his sixth collection - Mapanje is still effervescent, with his wry humour defiantly intact. Some treacherous African tyrants may have been deposed or died horrific deaths, leaving their snoops in exile washing cars to survive - but these are mere metaphors of another life. The narratives in Greetings from Grandpa are mellow and cheerful testimonies of the sojourn of the human spirit as it survives freedom under implausible circumstances, whether at home or in exile. Grandchildren are born, calming the nerves of exile; dear friends back home die of AIDS, unsettling gentle memories; China and Asia arrive in Africa and nobody raises a finger; greedy bureaucrats syphon billions from accountant general's coffers; but Africa marches on regardless, stubbornly celebrating life, sometimes in traditional symbols; sometimes by inventing delightful beef festivals.The collection also includes Mapanje's version of Kalikalanje, a well-known legend among the Yao speaking African peoples of Malawi, Mozambique and Tanzania, whose trickster hero comes into the world endowed with knowledge of past, present, future times and events. Kalikalanje is a lover of life, freedom, peace, truth, justice, and above all, fun. His enemies try to kill him only to bring destruction on themselves instead. This age-old tale has universal appeal - and is popular with children - but its symbolic, social-cultural-political nuance makes it especially relevant in today's world of persistent liars and impostors. Jack Mapanje's previous collection, Beasts of Nalunga, was shortlisted for the Forward Prize for Best Collection in 2007. His earlier work - including the prison poems - is available in The Last of the Sweet Bananas: New & Selected Poems (2004).

'In 1981 Jack Mapanje was a budding poet and scholar in Malawi. His first collection of poetry, Of Chameleons and Gods had just been published and reviewers were already hailing it as the work of a new and important African voice. His scholarly work in linguistics was also transforming language and literary studies in Central Africa and drawing international attention to the works of writers and critics from the region. Mapanje's poetry was remarkable not only because of his keen sense of sound and place, but also its tense relationship with its context: here was a compelling lyrical voice, producing a musical and touching verse in a country that was under the iron heel of a self-proclaimed dictator and life-president, Kamuzu Banda, Ngwazi. That Mapanje had been able to write such powerful poetry under official rules of censorship was a remarkable feat. But two years later, the state ordered the withdrawal of Mapanje's poetry from all schools, institutions of higher learning, and bookstores. In 1987, after attending a regional language conference in Zimbabwe, Mapanje was arrested by the Malawian secret police and bundled off to prison where he was to stay under lock and key, without any formal charges, until 1991. This book is a recollection of those years in prison. Written in the tradition of the African prison memoir, and often echoing the works of other famous prison graduates such as Wole Soyinka (The Man Died) and Ngugi wa Thiong'o (Detained), the memoir represents Mapanje's retrospective attempt to explain the cause and terms of his imprisonment, to recall, in tranquillity as it were, the terror of arrest, the process of incarceration, and the daily struggle to hold on to some measure of spiritual freedom.' - Simon Gikandi, Professor English, Princeton University Jack Mapanje is a poet and linguist and was head of the English Department, Chancellor College, University of Malawi when he was arrested and detained without charge or trial in 1987. After an international campaign, which included his being promoted as one of Amnesty International's 'Prisoners of Conscience', he was released in 1991. His published works include: Of Chameleons and Gods (1981); The Chattering Wagtails of Mikuyu Prison (1993); Skipping Without Ropes (1998); Last of the Sweet Bananas (2004); and Beasts of Nalunga(2007).

Forty years after his country's independence from the British, Jack Mapanje has returned to his concern for ordinary people in Africa and in the world at large. These were the themes that made his first collection Of Chameleons and Gods an inspirational book in Malawi and throughout Africa. The new poems in Beasts of Nalunga are boldly lyrical narratives cunningly crafted in mesmerising spirals. His voice is still ironically cheerful, his tone impotently angry - but confidently measured with wit and humour, however bleak. He fears the saying 'once a prisoner always a prisoner', and questions why prisons refuse to go away. Jack Mapanje was imprisoned without trial or charge by the dictator Hastings Banda for nearly four years, and chronicled his prison experiences in many of the poems of The Chattering Wagtails of Mikuyu Prison (1993), Skipping Without Ropes (1998) and The Last of the Sweet Bananas: New & Selected Poems (2004). In Beasts of Nalunga the soul is still skipping without rope, and the landscape the soul traverses provides memorable and fresh metaphors and symbols. Read Beasts of Nalunga as the soul struggling to liberate itself, and fighting against the beasts of silences that were once rampant in the African despotic regime under which Mapanje matured, silences that threaten to continue today, even in distant homes and variegated exiles. Beasts of Nalunga was shortlisted for the Forward Prize for Best Collection.

Because he was a radical poet, Jack Mapanje was imprisoned without trial or charge by the dictator Hastings Banda of Malawi for nearly four years. The themes of his poetry range from the search for a sense of dignity and integrity under a repressive regime, incarceration, release from prison, exile and return to Africa, and reconciliation with torturers, to the writer in Africa and the continuing African liberation struggle in a hostile world. While often deadly serious, Mapanje's poems are lifted by the generosity of spirit and irrepressible humour which helped sustain him through his prison ordeal.